"This is My Life" Reviewed by Linda Lopez McAlister On "The Women's Show" WMNF-FM August 29, 1992 "This is My Life" is a film that came and went in and out of theaters so fast you probably missed it; I know I did. It was the victim of poor newspaper reviews and indifferent to nonexistent promotion. But my antennae told me that the problem was not so much with the film but with the women filmmakers and the male reviewers being on different wave lengths. Now that I've seen it my suspicions have been confirmed. "This is My Life" is the work almost entirely of women filmmakers--practically unheard of with a mainstream Hollywood production. It is based on a novel by a woman; it has a screenplay by Nora and Delia Ephron; it was Nora Ephron's first directorial effort; Carly Simon did the music, and it is about a woman--er, well, whom it's about is a central issue of the film. Interspersed among the opening titles are some sequences with voice over narration by a teenage girl who wants to make sure we know that this film is about HER life (and maybe to a lesser extent her little sister's) NOT her mother's. Hence the title of the film "This is my life." But soon the voice of her mother takes over the narration and she proclaims that no "This is MY life." And this tug-of-war over who is in the subject position in this family, in this story, in this film is the heart of the dramatic conflict; does a single divorced mother have to devote herself to her children to the exclusion of striving for her own dreams, ambitions, personal life? Do children in such a family have the right to the attention and care they think they need/want from their mother even if providing that level of care disadvantages the mother? These are serious issues that probably all single mothers go through; the film treats these issues in a warm, funny, caring, and respectful way. Dottie Engel (played by Julie Kavner) is the mother in question, raising her two daughters on the salary of a department store cosmetics demonstrator who wields her microphone and her New York Jewish wit to snare the customers. Her routine had me in stitches before the credits were through. At night her two daughters coach her by pretending to be tv talk show hosts. When she inherits a house she promptly sells it and moves the family to Manhattan. There she plays the stand-up comedy clubs and hits paydirt when the number one agent (played oddly by Dan Akroyd) sees her, likes her, and gets involved romantically with her. She goes off to Hollywood and then to Las Vegas leaving the kids at home with a string of less successful stand-up comics serving as baby-sitters. While Mother is pursuing her dream their lives are changing too. They go to meet their father who can barely remember their names and the older daughter has her first experience of love. Parts of the film don't work very well--the goofy baby-sitters and the lumpen, kleenix-eating Dan Akroyd among them. But other characters and sequences are just wonderful: I was especially tickled by the teenage boyfriend whose raging hormones transfigure his face with adolescent longing and by a funny, funny scene of the awkward first sexual encounter. Aha, maybe that's why the critics didn't like this film. This sex scene may provide us with a corollary to McAlister's Law (which, in case you don't know, is that male critics pan every film where a man gets hit in the groin). The corollary is that they also pan films in which a male inadvertently snaps himself with a condom he's trying inexpertly to put on. Both situations have a high sympathetic ouch factor that leads to unsympathetic reviews, perhaps. Anyway, those who aren't so bothered will probably enjoy this film quite a lot. Julie Kavner is a very gifted and funny woman and this is a role perfectly suited to her talents. If you can find "This is My Life" at your video store (and be patient because they don't have many copies) you'll want to rent it and see what a good film Nora Ephron and company have made. For the WMNF Women's Show this is Linda Lopez McAlister on Women and Film.