"Fire" A Film Review by Linda Lopez McAlister on "The Women's Show" WMNF-FM 88.5, Tampa, FL It's a joy to be getting the opportunity to review the women's films that are planned for the upcoming Tampa International Gay and Lesbian Film Festival this year. The one I'm going to talk about today, Fire, written and directed by Deepa Mehta, is already two years old but it has never made it to Tampa before. I've been asked a number of times if I've seen it, and now I'm happy to say I have. This is an extremely beautiful and well made story of two Indian wives living in an extended family situation in New Delhi. It is, however, a Canadian film and has won numerous international film festival awards. The story of the film unfolds at a slow and leisurely pace, allowing the audience members to gradually get their bearings about the situation and who is who in this household, as well as which adult is the small girl who appears in a field of flowers with her mother and father in the film's opening moments. Eventually we realize that the girl grew up to be Radha (Shabana Azmi) a married woman who lives with her older husband Ashok (Kulbhushan Kharbanda) and her infirm, elderly mother, Biji; Radha runs the household above the family business on the street level which consists of a combination video store and restaurant and does the cooking for the restaurant. Also in the household is Jatin (Jaaved Jaaffery) who is Ashok's son and his new bride Sita (Nandita Das). An employee Mundu (Ranjit Chowdhry) rounds out the household. After the prologue, the first thing we learn about this family is that Jatin and Sita have gone to the romantic Taj Mahal for their honeymoon, but Jatin has absolutely no interest, romantically or otherwise, in his beautiful young wife. She is naturally bewildered by his indifference to her. It turns out that the woman he really loves wouldn't marry him and he married Sita just because his family was pressuring him so hard to get married and have children, but he keeps up his passionate relationship with his Chinese girlfriend anyway. Radha's marriage is not much better. Since they discovered that she cannot have children, her husband, who is deeply involved in various religious activities, took a vow of chastity, so both have been celibate for thirteen years. She is a kind and compassionate woman and comforts Sita in her predicament of being in her husband's home in a loveless marriage. Very gradually, as the women become friends and confidantes, they both discover an erotic desire for one another and become lovers. Now, instead of ruing the fact that their husbands are seldom home, they're quite happy to see them go. Alas Mundu is always around and, after Radha finds him in a compromising situation, he plots his revenge and eventually spills the beans to Ashok. The cinematography by Giles Nuttgens is gorgeous. The slow pace of the film allows us time to get to know these people and the atmosphere in which they live, with the rigidity and stifflingness of the family situation mirrored in the somewhat claustrophobic atmosphere of the rather small apartment in which they all live. It's no wonder that Sita and Radha's closeness begins and flourishes on the roof where they can get fresh air. There is a rather shocking conclusion to the film and you will not know how it ends until the very last sequence. This is a rich and rewarding film that, in addition to the love story, touches on many other aspects of contemporary Indian life, the role of tradition in a changing society, and the struggles of women to take control of their own lives when they live in a society that traditionally doesn't allow them that role. "Fire" is definitely a film to see at the festival. One suggestion: sit down front at the Tampa Theater, not under the balcony. The Indian accents are sometimes difficult to understand and further back the acoustics at the Tampa Theater are none too good, so give yourself your best opportunity to understand the dialogue of this beautiful and passionate film. For the "Women's Show" this is Linda Lopez McAlister on Women and Film Copyright 1998 by Linda Lopez McAlister mcalister@chuma1.cas.usf.edu