Stepping Out Reviewed by Linda Lopez McAlister For The Women's Show, WMNF-FM, Tampa, FL This weekend I recommend stepping out. That's both what I think you should do and what I think you should see. The film, "Stepping Out," which opened yesterday at the Movies at Largo is an utter delight--a kind of a cross between "Strangers in Good Company" and "Chorus Line" if you can imagine that--that will have you leaving the theater smiling and crying and laughing and tapping your toes. It was directed by Englishman Lewis Gilbert, the same person who directed Shirley Valentine a couple of years ago and "Educating Rita" a couple of decades ago--so he already has a great track record of making positive films about women and this film adds to it immeasurably. Great cinema it probably isn't, but it's a "little film" that has a big heart, a dynamite cast, and a loving attitude toward the 8 women and one man who are its focus. And who are they? The Mavis Turner Tappers. Mavis Turner, played by Liza Minelli, is a former Broadway singer/dancer who, six years before, had fallen in love with a self-centered pop musician with a gold record, and gave up her career to follow his. Now, while he still believes he's God's gift to the world, it's Mavis who supports them by singing in bars and teaching an adult tap dancing class in an old church in upstate New York. Her little class of 7 mismatched, awkward, and thoroughly unlikely pupils and their temperamental accompanist (played by Shelly Winters who's so good she nearly walks away with the film) are invited by the local grande dame of the arts to perform a number in the annual holiday charity benefit for the Save the Children Foundation. When Mavis breaks the news to the class the thought of performing in public strikes sheer terror into their hearts, but they can see Mavis is excited about it and she convinces them to trust her not to let them embarrass themselves, so they agree. As they work on their routine at their weekly classes over the next few months, they get to know one another better and we get to know them too, and we learn about the reality of their lives outside class. Andy (played by the wonderful Canadian actress Sheila McCarthy whom you may remember from "I've Heard the Mermaids Singing") is a painfully awkward and shy married woman who quietly pursues the one man in the group (Bill Irwin)--the only person there even shyer than she is--and we ultimately discover why she's in the class and why he's so much more attractive to her than her own husband. Another of the students (played by Julie Walters the Rita of "Educating Rita") who is a wealthy matron, obsessive/compulsive about cleanliness and utterly insensitive and tactless toward the others also has problems at home that make us come to understand and sympathize with her a little. The others, too, become fleshed out real people, warts and all, and develop friendships and teamwork. Crisis upon crisis builds as the night of the performance approaches, including Mavis's becoming pregnant and her husband heading out for the big time in L.A. while Mavis makes it clear that she has a life that's important to her where she is and that whether or not she carries the pregnancy to term is her choice and no one elses. By the time of the performance the film audience is on the edge of their seat wondering if and how this number is going to come off. I won't give away the ending, but let me just say it will surprise and entertain you. Even though Liza Minelli is the teacher, not a performer, in the group, we do get to hear her sing a marvelous rendition of "Mean to Me" in a club where she works and a couple of other dance numbers that are worked into the plot nicely, so her singing and dancing talents don't have to take back seat to her acting role. For sheer entertainment and fun, tie on your tap shoes and shuffle off to Buffalo to see how the Mavis Turner Tappers make out in their debut performance. For the WMNF Women's Show this is Linda Lopez McAlister on Women and Film.